It’s been long time since I don’t write about tattoo artists and now that I feel a bit cold turkey and Summertime is definitely the worse season for tattoo artists due to warm weather, I’m in the mood to talk about Rotor Finerats, a 200% artist, not just talented with the ink and the needle. Beyond the tattoos, this guy has an immense talent and creativity reflected on his illustrations, very inspired in the lowbrow art movement.
Some people have asked me why I never talk about Spanish artists, wondering whether I’m not interested in the national product. I’ve been thinking about it and I can only reply that I never got the chance or perhaps foreign artists came first to my mind. At this point I’m so into this world, I reckon there’s an impressive community of Spanish artists spread throughout the peninsula, and especially settled in Barcelona. I’m very lucky on this regard.
Thus today I’m talking about Rotor, my first Spanish tattoo artist I haven’t had yet the pleasure of visiting myself for my piece. But I’m pretty sure eventually that day will arrive and I’ll get one of his post-nuclear tattoos.
Rotor works at Aloha Tattoos studio in Barcelona, at this point I’d say it’s the most established and popular studio in town, ousting the classic LTW studio in Tallers st. It used to be the place of reference, but since it’s always been very expensive and the rotation of artists is too frequent, Aloha eventually won the crown, thanks to Rotor, El Carlo, El Javi, El Monga, Tai Iglesias…too much talent at that studio.
I think it was a year ago when I saw a tattoo of Rotor’s for the first time and it really blew my mind. I can’t be 100% sure, but I’d say it was this one.
I felt fascinated with this mechanical whale, as I like to name it, and the combination of the industrial element with one of the most amazing creatures on Earth. Nature corrupted by industrialization? Replicant animals in the future to replace extinct breed? Who knows, only Rotor, there might be lots of symbols or perhaps none, but these post-nuclear tattoos are his trademark, making his designs very unique.
Rotor’s style is closer to old school than Miss Arianna, for instance. Even though both artists prefer thick lines, Arianna enhances details through shading while Rotor prefers this style of lining, in order to provide his pieces of this classic roughness. No doubt he can also stick to a more complex or detailed style too, but to be honest I’m not as interested in that part.
His universe also includes weird creatures, vampires, or aliens, quite vintage looking, keeping this childish and reckless halo.
And I love everything he does involving skulls.
Rotor, together with Ibie, is co-editor of Fine Rats illustration magazine, recovering the works of many independent artists who unfortunately cannot expose their work in public so in this way these compilations can achieve more audience. I had the chance to purchase the first five issues, printed in very good quality and offering a different kind of art, much more trashier and rude. I will write about this publishing in a near future, on a separate post.
Here you can watch this video introducing Rotor who explains a bit about his work and influences. It was recorded to support him in a contest held by Jägermeister. Unfortunately he didn’t win, but it was a good promo for him.
Rotor is on my list of artists I would like to get tattooed by. All this sci-fi, vintage future designs are terrific, and his post-nuclear creatures are simply awesome. His style might look very simple, but it’s the imagery, all the complements added to the main figure, which enhance the effect of them. His work is very special.