Album of week 34: Born a Lion

Except at the office, where I’m not allowed to, I love playing music most of my spare time. perhaps it’s to exhausting for many, but I love performing activities with a little support from an album. When I have guests at the Hellhouse I usually pass the choice of the soundtrack to them, of course if I trust their taste in music, feeling very curious about what they will select. Sometimes it can be very predictable, but in many cases I feel really amused and pleased when they removed the dust from one of my old CDs or records I haven’t listened to in years, and all of a sudden lots of memories, melodies and lyrics come back to my head and I recover some sort of excitement remembering how great that album and that certain band was back in the day.

Last Saturday, Tani, Jaume and I were recovering from the funny night before, and I was in the mood for cooking if Jaume to be in charge of music. He accepted the challenge and also bough beer. His first choice was Kick of INXS and it was great to listen to so many hits at once. Eventually I’ll talk about that album, because it’s pretty good. He completely changed the style with his second choice, which was Born a Lion.

born a lion

I’ve been so pissed off lately with Danko Jones due to his terrible and boring shows, with too much talking and quite few music, I had forgotten how great he used to be. Well, not that his late albums are crap, because you can always find a bunch of great songs, but the groove, power and sexuality in his early stuff was unbeatable.

I had vaguely heard of this trio from Canada formed by Danko, John Calabrese and Damon Richardson, the former drummer who played on the best albums of the band, until I saw them opening for Backyard Babies in 2001 I think. Basically they ate the Swedish band with a steamroller act which turned the audience crazy. The recipient for the success of their act was powerful and sticky rock n’roll songs, mixed with blues and garage, sexual lyrics and Danko’s speeches to heat people. The magnetism of the frontman was irresistible and everybody ended surrendered to his knees. He was a sort of preacher of rock.

The Mango Kid used to be the king on stage when performing sets of 45 minutes, but at some point, when the band became more popular and started headlining 85 minute shows, his speeches became repetitive, the rhythm of the performance was losing tempo all the time because between songs there was too much spoken word, and of course, the albums weren’t as brilliant and fresh as the first ones. It is a pity because the band has its own identity regardless of their influences, but Danko squeezed the lemon too much, and the band is a bit stuck in its old formula.

Thus recovering Born a Lion the other day was as exciting as to time travel 12-13 years back, remember all the funny lyrics, Danko’s tongue and mean attitude on stage, and we getting crazy with their songs. ‘Love is Unkind’, ‘Lovercall’, ‘Sound of Love’, ‘Papa’, ‘Play the Blues’…one hit after another. I used to love this album, and for me, the concept of power trio was expressed in these 3 guys to its maximum level.

I still hope The Mango Kid forgets about horchata and comes back to the right path to give us a lesson.

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