Sometimes I reckon I should share with you a list of those artists I worship as genius for their creative talent, in order to inspire some sort of discussion, get acquainted with your point of view, and discover other musicians worth following for this reason.
It’s already time to talk about Antemasque, the last project of Omar Rodríguez-López and Cedric Bixler-Zavala. I’ve already written about some of their albums as The Mars Volta and At the Drive-In.
I started to dig into their stuff a bit late for my taste, so I’ve missed the chances to see both bands in action on stage, even though I could attend Omar’s performance a couple of years ago and I thought it was brilliant even though at that moment I wasn’t so involved in his universe. But this time, and since The Mars Volta got me hooked gradually, I won’t miss any of their movements.
On 9th of April, a couple of tweets announced this new project named Antemasque introduced by a new single, ‘4 AM’. It sounded so straight and fresh, it was impossible not to surrender to the piece. Flea was said to be on payroll, but quickly it was confirmed this was only a collaboration, as he let the bass parts recorded at his studio to be used for the album. Several singles followed and the full album was digitally released in July.
In the time we’re currently living it’s curious the huge demand of a physical format from the fans. We all want to have Antemasque on vinyl or CD. Last month it was confirmed the date of release, set for November 10th, this is, on Monday, for CD, and on the 25th for vinyl. It’s definitely worth the wait.
Omar and Cedric have dumped sound density ballast, delivering ten absolutely fresh and straight 3 minute sounds, very easy to listen and to get hooked to, getting back to basics in terms of song structures, with very simple structures and repeated chorus.
In Antemasque you can find punk with ‘I Got No Remorse’ or ‘In the Lurch’, more power pop oriented tracks as ’50,000 kilowatts’, and some acid drops of their taste for psychedelia on ‘Drown All Your Witches’ y ‘Providence’. It’s the simplicity of the songs what makes it huge.
I’m very glad tensions between these two brains were overcome and left aside, and they started focusing on working together to deliver more interesting stuff. I can’t erase from my head the idea that perhaps these are the people who need a breaking point and a new start from time to time to keep their talent alive and dynamic, and the more time passes and the older I get, the more I believe that all chapters must have a beginning and an end for the individuals can improve and evolve at all levels. At The Drive-In wouldn’t be so great if they had continued, the same as The Mars Volta wouldn’t exist in such case consequently. Thus if nothing lasts forever, it’s ok that there are many chapters which occupy the timeline.
Let’s see what this Antemasque chapter surprises us with. I’m optimistic.