The drought and the break have finally come to an end. After 3 years without entering a studio for recording a new album, even though the word says that he actually had a record in hands but it was so sad and devastating Adams didn’t endure the idea of publishing it, the king of the pinballs is releasing his 14th album today.
With a simple noisy shot of his face with long messy hair on the cover (a selfie, perhaps?) and his name as the title of the album, Ryan Adams hit the street, and after listening to it compulsively in streaming, everybody knows he’s made it again. Can we call him genius and give him the credit he’s been working on all these years? I think it’s time to accept him as one of the most prolific and talented artists in the century, recalling his past, not as a curse anymore, but as a step necessary for him to find his right path, not only in the artistic sense but also in the personal field.
Adams has always made us aware of his age. ‘1974’, the album 29, and constant references, as something he takes very serious. In 2 months he’ll be 40, the starting point for the middle-age in mankind, being the artist fully aware of that. He’s trying to keep his stability under control, and to manage to balance his personal life with his work and passions.
The creation of Pax-Am goes beyond his own analogical recording studio. It’s the accomplishment of a lifetime dream, and the sheltering space where he can develop everything’s inside his head, keeping things under control, and feeling safe.
Ryan Adams recovers the pain of the heartbroken, but this time leaves the gloomy and emotional sounds we were so used to when he was playing with The Cardinals aside, to feature rough and constricted guitars, and a toughened sound, which constantly makes you think of Tom Petty and the Heartbreakers in their first years. the greatness here is that he’s truly inspired by this band, together with Bruce Springsteen or even The Replacements, but he manages to go through this successfully without the listener thinking he might be copying.
The more I’m listening to this album the more I’m having a crush on it, no doubt you’ll read about this album by the end of this year because at this moment I can’t get out of my head songs like ‘Gimme Something Good’, ‘Trouble’, ‘Shadows’ or ‘Tired of Giving Up’. Catchy chorus, simple structures, and a straight and harder sound. Adams has finally made a classic rock album without pretending to be something he’s not, nor trying to amuse or impress but his fans and himself. And he’s succeeded.
Is this the beginning of a new era? Will he keep working on this style? At least it seems that he’s very proactive and in the mood for doing stuff and releasing singles. We’ll see…
If you got time and mood for reading about this workaholic nowadays I strongly recommend you to read At home, kinda , with Ryan Adams, an article written by Bob Mehr for Buzzfeed music I’ve read today. It gets you a good picture of what Adams has gone through in the last 20 years, helps you to get closer to both the person and the artist, and encourages you to forget his messy and rebellious past. I’m positive it’s one of the best pieces I’ve read on this musician.
Aaah! Can’t wait for my vinyl ❤