Tag Archives: Orange Goblin

My 14 of 2014

December 25th. I think the time for me to write my list of 2014 albums has finally arrived, even though I’ve been delaying this moment to the max.

I feel a bit frustrated because I’ve been so busy I haven’t been updated my album of the week section much, perhaps because I always like to develop the post a bit, add some story behind or develop my enthusiasm so I can sell the product in the best way, so to speak.

2014 in terms of album releases has been fabulous, and I’ve discovered many bands and discographies I had never been into before, which now I follow passionately. The two main reasons for a very eclectic list have been RockZone Magazine, which has placed names I wasn’t acquainted with right in front of my eyes, and since I’m more involved in the mag I felt the curiosity to dig into that stuff, and of course my beloved forum and the awesome people I have the luck to discuss about music and lots of other funny shit on almost a daily basis.

The problem here is that in a month I’ve written down a couple of lists and I’ve changed orders and modified/added records, because there’s so much stuff I haven’t managed to listen to I’m still discovering awesome things, which means that list could change in a month, but this list defines what I like the most lately.

Hope you find it interesting enough as to dig into the albums.

RYAN ADAMS / BEAUTY & RUIN

Sharing the throne like father and son, it couldn’t be any other way.

ryan adams ryan adams

 My fave messy hair boy has turned the screw magnificently and has delivered one of his most remarkable works up to date. I was a huge fan of The Cardinals era, and the last works left me a bit cold, but with Ryan Adams, breathing the essence of Tom Petty, has truly jumped to an upper level. More rock, more groove, and more livid. I think of ‘Trouble’, ‘Kim’, ‘am I Safe’ to start with, but I should mention all the songs as they are all absolutely terrific. As a complement, Adams previously issued a 16 minute ep named 1984, which was an excellent homage paid to 80’s American punk. 2014 has meant the rise of Ryan Adams at all levels, as he’s constantly playing life, issuing different singles and nonstop creating.

https://sincemybabyleftme.com/2014/09/09/ryan-adams-is-finally-here/

bob mould

Bob Mould is one of the biggest discoveries this year. I had barely listened to Hüsker Dü in the past, and this guy, thanks to Beauty & Ruin, has opened the doors to his universe. Another workaholic and singular character, very close to Ryan Adams nowadays, and with an immense talent. Songs such as ‘Low Season’, ‘I don’t know you anymore’ or ‘The War’ really make me vibe.

https://sincemybabyleftme.com/2014/10/19/album-of-week-42-beauty-ruin/

ANTEMASQUE

antemasque album

Cedric and Omar are back in track and this time they’ve got rid of lots of ornaments and progressive style to deliver straight and energetic songs so easy to assimilate, you get hooked in a nick of time.

https://sincemybabyleftme.com/2014/11/08/album-of-weeks-44-45-antemasque/

DO TO THE BEAST

do to the beast

The Afghan Whigs have assured their comeback releasing and impressive album which is not the continuity to their previous work but the starting point to a new promising future. Elegance and uniqueness are their trademark and once again they’ve proved they should be among the greatest bands on earth.

https://sincemybabyleftme.com/2014/04/10/album-of-week-15-do-to-the-beast/

INTO THE MAELSTROM

bigelf

Not being into prog, Into the Maelstrom is so expressive and grandiloquent, the result is a record with overwhelming songs. It’s like an intense trip to the vast corners of the land of the future, it opens your mind to a different experience and the ride is magnificent.

TILL MIDNIGHT

chuck ragan

Strong folkie tunes full of passion and intensity. Not the typical mild songs but rough ones as if it was a shot of bourbon you had. Harsh, hot, painful and glorious. Absolutely delightful, the more you listen to it, the more you love it, the more you want to fall in love with someone with Till Midnight as the most suitable soundtrack to live that with.

MÖNGOL HÖRDE

mongol horde

Frank Turner is not just a folkie boy. He’s got balls and he loves hardcore, and this project seems to be the perfect outlet for anger, rage and frustration. not many people around me are aware of this treasure, which contains absolute anthems.

https://sincemybabyleftme.com/2014/06/30/album-of-weeks-24-26-mongol-horde/

GREAT WESTERN VALKYRIE

rival sons

If Rival Sons had kept on tryinf emulate Led Zepp I wouldn’t be talking about this record, but these guys seem to have found a marking point to find their own style and sound and have delivered an outstanding album.

EVERYTHING WILL BE ALRIGHT IN THE END

weezer

First Weezer album which hooked me immediately. Very teenager melodies mixed with brilliant guitars, great structures with wonderful chorus, have this time caught my attention.

TRANSGENDER DYSPHORIA BLUES

against me transgender dysphoria blues

Emotionally speaking probably this album should be on top for all what Laura Jane Grace and Against Me! have meant to me this year. I’ve learnt about dysforia, I got the chance to interview Laura, and attend one of the greatest live shows this year. I have nothing but great words and it’s awesome to find such a great confession and statement on this album.

https://sincemybabyleftme.com/2014/03/20/album-of-week-12-transgender-dysphoria-blues/

WASTED YEARS

off

Punk and mayhem. What else do you need sometimes? OFF! deliver that shot of energy and rage you need which prevents you from blowing this world.

BACK FROM THE ABYSS

back from the abyss

My boys made it good again. Excellent album which confirms years of hard work have been worth the effort. There are outstanding anthems and songs are well built and developed. They seem comfortable with what they’re doing and it’s finally reflected on this album.

III

mariachi el bronx

If I had been told I’d be listening to mariachi few years ago I’d still be laughing but I’m currently doing it and the punk guys from California dressed in killing suits have stolen my heart. Viva Mariachi El Bronx!

*** Please don’t judge by the cover.

GIGANTOID

gigantoid

It’s true there are not anthems in this albums in the way Fu Manchu used to do, but the riffs are incredible, heavier songs and this road spirit will always be present, and the trio does never fail me.

***

There are many other albums I’m discovering which probably would deserve to be included, but at this poin this is my list and the way I feel right now.

Still, I made this playlist with a selection of songs of my personal soundtrack of this year, which might be of your interest.

ALIVE N’ KICKIN’ 2013

Let’s go on with the best of this year.

Checking my daily planner I’ve counted  approximately 46 shows (probably some more I forgot to write down), and 4 festivals attended: Primavera Sound (2/3 days), Kristonfest, Cruïlla, and Siberia. Compared to previous years I’ve been more relaxed this 2013 at the time of choosing which bands to see.

The variety of live shows available in Barcelona is huge lately, hard to cope with, and there are on one hand very expensive tickets for barely 1 hour performances, and on the other hand promoters booking small bands every 6 months which eventually get audience bored. Personally speaking, I reckon those promoters should look after both the bands and the potential audience to start with, assume more risks bringing different bands, and start seeking for sold out shows at less benefit which will ensure bands to feel like coming back and achieve fans loyalty for future shows. Of course I’m not a promoter, and I don’t put my money on the table, but I’ve attended shoes enough as to assure a sold out show for 10 Eur/ticket rules much more than a half empty venue for 22 Wur7ticket, if you understand me. Considering the tight and hard times we’re going through live music must me supported and audience encouraged, and not the other way.

Once this said, let’s talk about my top 5 favorite live shows of the year.

NEIL YOUNG & CRAZY HORSE, Àrenes de Nîmes

neil young

The best show for obvious reasons. You never know when it’ll be the last time you will be able to attend one of his shows, plus this time he was accompanied by his pals, as I had seen them the first time in 1996. Promoters in Spain don’t think it’s worth taking the risk bringing him here, thus we had to move our asses to France. The whole experience was tiring yet very cool, as some guys in Girona hired a mini coach for the trip, and 20 people met by chance only moved by our love for the musician. Patti Smith opened for him offering a surprising excellent show, and then the boss came onto stage and made the old stones of les arenes, vibrate with his tunes.

CLUTCH, Music Hall (BCN)

Even though the set list was reduced due to the early curfew imposed by the venue, the atmosphere, the crowd, the band, the attitude and the powerful songs, and of course, the wonderful companion, contribute to turn this show into something memorable. I felt the fan scent I was missing, the passion and the excitement, and I went crazy.

VALIENT THORR, Razzmatazz 3 (BCN)

sadat n nitewish

Every time I see these guys on stage I have a crush, really. They are so powerful and straight and on the other hand so good at interacting with the audience, their shows are a blast. I loved ther previous show in 2012 in Madrid, and this one was excellent. There were some friends who had attended the show just because who finished very enthusiastic about the experience.

THE SWORD, Razzmatazz 3 (BCN)

I was pretty sick of my stomach and had been sleeping 18 hours straight because I felt like shit, so I wasn’t at my best for the show, but as soon as Kyle Shutt started playing his riffs and the crows d started headbanging uniformly as a respond I started to feel better and better and enjoyed lots.

Can’t wait to see them again soon. Here’s their show at the Hellfest few days earlier, so you can get an idea.

ORANGE GOBLIN, Kristonfest (BIO)

chris and toi

What can I say? I’ve attended to their shows since 1998 and always claimed their live act is solid and amusing. Any time I get the chance to see them I’ll be there. I reckon their show at Kristonfest was superior than the previous I had attended years ago at Azkena Rock Festival. No doubt A Eulogy for The Damned has been a great pusher to finally get more recognition and attention, although here in Spain they haven’t been booked for playing at venues yet. A pity.

I can’t wait to see what 2014 will bring up. At the moment there are already several awesome shows ahead: Monster Magnet, Red Fang, The Wildhearts…We’ll see.

 

MY TOTAL 13

Happy holidays to y’all!

Once the few family Xmas commitments successfully finished, it’s time I start focusing on closing this 2013. I’m gonna start with the easiest part, which is the list of my 13 favorite album releases.

I reckon this year has been marked by harder sounds and styles compared to the last years. Somehow it seems that my current mood is also looking for more energy in music. Truth is that, as usual, there are many albums I haven’t listened to yet and perhaps with the passing of time the list would change, but right now these are the albums I’ve been enjoying most this strange 2013.

13. VALIENT THORR: OUR OWN MASTERS

vt

Rage and pure energy, Valient Himself and his guys nailed it once again with this album. Lyrics with message, so to speak, wrapped in exploding riffs and superfast speed. Very happy I could attend another of their burning shows last month.

12. SUN & SAIL CLUB: MANNEQUIN

ssc

This is the project of Scott Thomas Reeder, Kyuss former bass player, Bob Balch and Scott Reeder (the drummer) of Fu Manchu. Vocoder robotic voice melodies can prevent some people from loving this album which is a masterpiece of powerful riffs, intense bass lines and kickin’ ass drums. Respect for the veterans!

11. TOUCHÉ AMORÉ: IS SURVIVED BY

touche amore

Post-hardcore bands are not within my usual range of music, however some of them manage to step into my universe from time to time. This time was Touché Amoré, recommended by my dear friend (and mentor) Jordi, personally and through the magazine. Confessional lyrics, lots of yelling, weird writing, but with an overwhelming intensity.

10. MONSTER MAGNET: LAST PATROL

last patrol

The return of Dave Wyndorf and his gang to the fields of psicodelia. I had the chance to interview the leader for Rockzone magazine and thanks to his explanations and remarks I could enjoy the album even more. As a whole, as a journey, some sort of confession of experience and release of emotions. There are great songs such as ‘Paradise’ or ‘The Duke (of Supernature)’ of ‘I Live Behind The Clouds’. A great comeback superior to their previous releases. Can’t wait to see their show in February.

9. NEKO CASE: THE WORSE THINGS GET, THE HARDER I FIGHT, THE HARDER I FIGHT , THE MORE I LOVE YOU

neko case

This is the hardest album of the artist and the most confessional. She leaves the story telling aside and focuses on expressing what’s she’s going through, marked by the loss of important members of her family, and a state of depression she eventually underwent to for some time. it is Neko, the woman, the human being here, you can feel closer to her, identified with some of her songs. ‘Man’, ‘Nearly Midnight, Honolulu’, ‘Calling Cards’ are thrilling.

8. ORANGE GOBLIN: A EULOGY FOR THE FANS

eulogy

This live album is the celebration of the success achieved with their last and most solid up to date studio album A Eulogy For The Damned. The only BUT I find here is that sound doesn’t capture their performance 100%, but still it’s a good document to confirm that not only their at their best moment but also that the Brits are a live band.

7. AMERICAN SHARKS

american sharks

This crazy trio from Texas blew my mind with their single ‘Overdrive’ and reached my thrashy side with their debut album. Every time I have a dj session I play one of their songs. Energy and fun, sometimes they remind me of Gluecifer for some reason. Wish I can see them playing in Spain in 2014.

https://sincemybabyleftme.com/2013/09/19/the-power-of-a-single/

6. DANNY & THE CHAMPIONS OF THE WORLD: STAY TRUE

danny

I feel ashamed for not having written about this wonderful album already, because it deserves a special attention and I don’t think many people are aware of this wonderful work. I couldn’t find the proper time or the mood to write about it as a week album, however I’ve been constantly listening to them when looking for a realm of peace and relax. Danny and the Champs leave the Bruce Springsteen formula so present in Hearts & Arrows and focus on more rooted sounds.

5. MICHAEL MONROE: HORNS & HALOS

hh

The blonde Finnish is a God of some kind. every time he releases a new album everybody’s expections end up completely fulfilled. This time I was a bit afraid of the change from Ginger Wildheart to Dregen of Backyard Babies as the main guitar and writer, but the result has been very positive, in fact Horns & Halos is superior to Dregen’s first solo album which has left me completely indifferent and not interested at all. Listening to any Monroe’s album means feeling  something inside you unsettled, which at the end of the day you realize it’s the need for partying crying for good times. I don’t understand the reckless energy of the singer, and I don’t care. I just take it as it comes and enjoy the most of it.

4. RED FANG: WHALES AND LEECHES

whales and leeches

No need to comment much about this album after what I wrote. It’s brutal and can’t stop listening to it. I really needed this badass music in my life. Exactly one month remaining for their show in Barcelona. I know it’s gonna be insane.

https://sincemybabyleftme.com/2013/11/10/album-of-week-45-whales-and-leeches/

3. HEY! HELLO!

heyhello

Ginger is a sort of Kind midas in music, but fortunately every project he starts is worth listening and the results are usually great. This time teaming up with Victoria Liedtke, he’s surprised the fans with more partying and very fresh tunes, and perhaps it’s been the key to retake and resuscitate his main son, The Wildhearts.

Hey! Hello! will open for The Wildhearts in April and I’ll be at The Electric Ballroom to tell you about it. it’s gonna be awesome, probably one of the best 2014 shows.

https://sincemybabyleftme.com/2013/08/29/album-of-week-32-hey-hello/

2. CLUTCH: EARTH ROCKER

earth rocker

Clutch has been the greatest discovery of this year. They’ve become a complete reference and have also awaken the spirit of the fan which was a bit in stagnation. Earth Rocker came demolishing and I devoured it with devoted passion. The impact of the self titled single on my was one of the most intense I remember in the last years. It left me breathless, and when I recovered I had the full album which was an injection of energy I really needed. I also relate the album to many personal highlights this year, among others writing for Rockzone magazine and coming back to the company I had been fired from last year.

https://sincemybabyleftme.com/2013/03/19/album-of-weeks-10-11-earth-rocker/

1. QUEENS OF THE STONE AGE: …LIKE A CLOCKWORK

Well, after not so much thinking I’ve finally reached the conclusion that Like a Clockwork is my favorite album of the year.

like

It was an instant crush since the very beginning and has been settling throughout these months. When I first listened to the album I compared the experience as dating someone you idolize, therefore now I could regard my relationship with the album as a consolidated. Yeah, we’re a couple, we can flirt with others but at the end of the day it will be Like a Clockwork the one I’ll always choose.

Josh Homme has improved not only his singing but also his writing, and his evolution, very criticized by many of his fans in Kyuss, is fascinating from my point of view. Probably ‘The Vampyre of Time and Memory’ is my favorite song of the year, but I love the whole album and regard it as an indivisible unit.

https://sincemybabyleftme.com/2013/05/17/like-a-clockwork/

ALBUM OF WEEK 36: COUP DE GRACE

coup de grace

When an opening song of a rock-metal-whatever the hell you want to label it-record starts with a guttural super rough yelling FUUUUUUUUCKKKK within its first 15 seconds, it’s the right sign to stop what you’re doing and focus on the album. It might be a piece of shit or terrific, but just for that you have to give it a chance.

I can’t remember when I purchased this album. Probably in the US or Japan, which means it was 3-6 years ago, however I started playing it more often a couple of them ago. I had always thought the 2 previous one Time Travelling Blues and The Big Black were my favorite, but at some point I changed my mind and Coup De Grace and A Eulogy for the Damned occupy the podium nowadays, probably because they are less metal, and the vibe is more hard rockin’.

I like Coup de Grace because the influence of punk is very present, leaving aside the cover of The Misfits’ song We Bite,, but also 70’s hard rock is there. Probably the result of the guitars is the most remarkable feature of the albums, with very powerful riffs and fast solos and also the bass lines and drums keep on the same solid level. I reckon it’s a very straightforward album which avoids too many ornaments in the songs, becoming one of the grooviest ones.

These album is full of many different references in the style, being Scott Reeder (Kyuss) the producer, featuring John Garcia (more Kyuss) in Made of Rats and the extraordinary Jesus Beater, under the adorable drunk Lee Dorrian‘s (Cathedral) record label Rise Above  and Frank Kozik, the renowned artist and founder Man’s Ruin Records, responsible for the super cool artwork.

This is the typical underrated record which contains awesome songs such as the above mentioned Jesus Beater, which is quite accessible to not so into hard rock music, yet the riffs are absolutely brilliant, or my personal favorite, Rage of Angels, which totally reminds me of 70’s British hard rockers Nazareth and includes a super cool sampler from the movie “Convoy”. And then you find instrumental Graviton, a break which brings you back to the paths of a more lysergic trip. That’s the greatness of Coup De Grace. The mixing of styles makes this album very enjoyable and dynamic, so you don’t feel like there are songs which should have been left out.

In my coolrockmeter, the measure is quite simple. If I’m headbanging from the first song, that means the record is great, and this is what always happens to me every time I listen to this album. I never get tired of it and puts me in high spirits. Well yeah, sometimes I’d like to throw a TV set through the window, but believe me, such desire is another sign of the great quality of what I’m listening.

 I leave you with a song while I’m finishing packing. Catching a train to my hometown in a couple of hours. This is my birthday celebration party weekend and I got the feeling is gonna be one of the wildest parties in the last years considering the lineup of friends who are gathering. If I survive I’ll tell you about it. In the meantime, enjoy the tune and have a fab weekend, friends!

 

THE DAY I GOT PUBLISHED

A couple of months ago I got the chance to attend a great festival in Bilbao and  write the review for July-August issue of Rockzone Magazine. Needless to say, when the bosses handed me a copy with hot Josh Homme on the cover and I discovered my review occupied almost a full page I got immensely happy for the achievement and very proud of myself.

Rockzone-julio-agosto-2013

Truth is that it’s not the first time some of my reviews are published on a real and physical magazine, however  because I was talking about one of my favorite bands whose members are friends from my London years, this article was very special to me.

You know summer is being too warm, crazy and very very busy, so to be honest I haven’t found the proper moment to translate what I wrote until this evening. I hope you like it even though it might miss some of the “Spanish” essence and style, but at least I think you’ll get the picture of the experience. and those who’d like to read it in Spanish, please, don’t be stingy and buy it. I promise to sign it before I become famous, inaccessible and a prick 😉

kristonfest rockzone

In February, when Kristonfest confirmed British band Orange Goblin to be part of the line up this year, next to Clutch, Truckfighters and Karma to Burn, who unfortunately cancelled just 10 days before the show, I didn’t think twice and arranged a flashtrip to Bilbao.  No matter how many times I’ve seen the band led by Ben Ward -last time was at Sonisphere in 2012-, the opportunity of enjoying one of their powerful shows at a venue such as Santana27 for the first time in Spain, was an irresistible bait. No doubt it was a rad lineup for all the stoner fans.

Therefore on Saturday, suffering a (light) hangover after Clutch show at Music Hall in Barcelona the night before, relieved with the help of some beers and pintxos, we arrived at the venue.

Surprisingly Truckfighters, the Swedish championed by QOTSA, had started with beyond British punctuality, so we couldn’t enjoy the actual startup of the fest. Even though many more had been caught by surprise, when we arrived you could feel the party atmosphere, with the audience in high spirits all the time. However, even though the band sounds pretty solid and powerful, there’s something worng. They wanna be but they’re not able to be. They have good songs but these are not overwhelming, and even thought their live performance is quite acceptable, but they couldn’t blow our heads at all.

During their set we really missed Karma To Burn, an absence wisely handled by the organization of the fest, affecting positively to the most interesting shows extending their act.

Orange Goblin opened their set with Red Ride Tiding, the first song of their terrific last studio album A Eulogy for the Damned, which has caught the attention of many people, and has confirmed they’re enjoying their best moment. Their set list was mostly based on their last work, including Acid Trial, The Fog or The Filthy and the Few, but had room for classic songs such as Quincy the Pigboy, Some You Win Some You Lose, Time Travelling Blues or Blue Snow. They didn’t give us a break, and the audience was getting nutter thanks to the huge and exultant frontman, who was cheering everybody up nonstop. No doubt Ward is the most outstanding member of Orange Goblin for obvious reasons, but Joe Hoare’s work on guitar is impressive. There were sound issues at the beginning of the show, but luckily everything was improving. I’ll never get tired of repeating the Brits are a 100% live band.

Finally the main course was delivered by Clutch. We were all ready to face what was coming, and some of us were playing in advantage as we had seen them earlier that week in Madrid or Barcelona, but the show they performed got Santana27 crazy as I hadn’t seen in a very long time.  Perfect sound, Neil Fallon completely out of control, , and a bombing proof set list  to keep us breathless. Crucial Velocity, Cyborg Bette, groovie Mr. Freedom, and Book, Saddle & Go as the first part of the show, blew our heads. Once on the track, nothing could fail, and the venue turned to host mass mayhem. They continued playing song from Earth Rocker, but also recovered awesome hits such as 50 Thousand Unstoppable Watts, The Mob Goes Wild, Burning Beard, and of course, Electric Worry. Neil Fallon is THE frontman, with an overwhelming energy, and the remarkable ability of balance the lack of charisma of his band fellows Dan Maines and Tim Sult, accomplishing his tasks impressively on the other hand. Regarding JP Gaster, apart from taking our hats off and bow, nothing else could be done. This guy on drums is definitely not from this world. Probably one of the current best active drummers. Huuuuge.

This Kristonfest evening was terrific, and we all ended very pleased , neck aching, and willing for some more. Let’s hope this fest becomes a fix event in calendars so we can visit Bilbao in the future to enjoy this celebration. Congratulations to the promoters, the venue and the bands for an incredible evening.

 

*** Thanks to Jordi Meya and Richard Royuela for everything. You’re fuckin’ great, guys!

ON 12/12/12 HERE IS MY TOP 12 OF 2012

digging-through-vinyl-records-lp

This is the first time I’m publishing a top list of my favorite albums of the year and I’m pretty stoked. Even though I’m passionate for music, for many years I adopted a vey comfy position in which there was someone doing the hard work of pre-listening and filtering new stuff on my behalf, thus only what  he enjoyed reached me. Yeah, I became lazy and detached from current musical updates at that time.

But here I am, posting my top 12 of this weird year, which has been excellent in terms of music, and disastrous in general. I must admit I’m proud for behaving as the good girl I really am, doing my musical homework and paying attention to new album releases.

Of course it’s impossible to cover all of them, especially when I take my time in analyzing the albums, going on them with the intensity required. And it’s a classic that, right after choosing my favorite albums, I discover a new one that blows my mind, but cannot be added to the list. Guess this is the greatness of music, you can enjoy it any time, no matter how much late you are. it will always be there.

Let’s get started, otherwise it will be the 13th and this top 12 won’t make sense anymore.

Most of the albums have been the album of the week at some point this year, or due to the expectations I had, commented as soon as they were available, as an exceptional event, and theres’s one in particular which had to be mentioned apart, because it doesn’t fit into what I usually consume.

I’m very pleased with the variety of styles and sounds in the list, once again confirming it doesn’t matter I’m growing old and relaxing, I can enjoy metal sounds same as folkie one, and I find that quite enriching for both mind, soul and ears.

BestRecords2012

Thus in no particular order I will refer to my top 12 of 2012. There we go!

ABANDON JALOPY – DEATH & JOY

What can I say at this point I haven’t told already? On week 12 I was telling you about my crush on Brad Smith’s project, and one month ago I was telling you my experience enjoying their half acoustic show, and how adorable Blind Melon’s bass player was.

I foresaw this album was being here, because not many albums make my heart pound in such way as Death & Joy does.

https://sincemybabyleftme.com/2012/03/27/album-of-week-12-death-joy/

CANCER BATS – DEAD SET ON LIVING

One of the greatest surprise of the year which started when I was assigned the review of this album. On a random Sunday afternoon, in hangover conditions, I receive a wake of punches right in my face in the shape of songs performed by this band. Raw, powerful and overwhelming.

https://sincemybabyleftme.com/2012/04/27/albums-of-week-16-1965-dead-set-on-living/

 

LUCERO – WOMEN & WORK

Several friends are devoted fans of this unknown band here in Spain, and I had been told about the charisma of the leader of the band, Ben Nichols. Songs about work, women, broken hearts and booze, and a catchy opening song, On My Way Downtown, which makes you feel the urge of having a beer at a bar.

https://sincemybabyleftme.com/2012/03/21/album-of-week-11-women-work/

MARK LANEGAN – BLUES FUNERAL

blues funeral billboard

 Wow! I ADORE this album. Straight to the top 5. Lanegan has gone beyond himself with this album.  I got obsessed about this album for 2 weeks or more, and I still listen to it compulsively. One of these albums that the more you listen the more you love them and discover tiny new elements with each listening. So fuckin’ great!

https://sincemybabyleftme.com/2012/02/13/album-of-weeks-5-6-blues-funeral/

JACK WHITE – BLUNDERBUSS

Finally the genius went solo, after delivering outstanding stuff with his different projects, and released this magnificent album I’ve been enjoying so much. It was the final proof to show the world he’s far from the hype and possesses a great deal of talent. Perfection would be mentioned here if the show he offered with the female band would have been more passionate rather than so “cool” looking.

https://sincemybabyleftme.com/2012/05/31/album-of-week-21-blunderbuss/

ORANGE GOBLIN – A EULOGY FOR THE DAMNED

Allow me not to extend much in explanations and check my previous post. Solid, powerful, rockin’, this is the exact dose of music you need for headbanging to the max. Very glad this album has been praised by both critics and people, and proud my “guys” have reached so far. BRAVO

https://sincemybabyleftme.com/2012/12/12/album-of-week-48-a-eulogy-for-the-damned/

THE HANGMEN – EAST OF WESTERN

EAST OF WESTERN

This is one of the exceptions as it hasn’t been included YET in the albums of the week. One of the reasons is because I was encouraged to listen to this album after purchasing Loteria on the record store day and recovering Metallic I.O.U. The truth is that the most New Yorker band in L.A, real street bad asses led by Bryan Small, have again delivered an intense album full of booze, drugs, filth and broken hearts, and Homesick Blues is damn awesome.

LANA DEL REY – BORN TO DIE

I know, this is close to be a dealbreaker, and coulf be named as the guilty pleasure of the year too. I made public I had surrendered to the hype, and I’m still hooked to Born To Die, something which scares me somehow, because I don’t think what Lana del Rey might offer us, can keep the same level.

https://sincemybabyleftme.com/2012/08/30/the-day-i-surrendered-to-the-hype/

THE GASLIGHT ANTHEM – HANDWRITTEN

 I wrote about this album when the band, days before the worldwide release, allowed the fans to listen to the album online. I literally devoured it and felt in love right away. The guys from New Brunswick are about to jump into the mainstream thanks to this wonderful album, which shows a noticeable evolution and improvement, and personally speaking, I love they are capable of gathering new and older generations at venues for attending the shows. They bring youth to the adults, and transmit old school values to the youngsters. Their story telling is sublime.

https://sincemybabyleftme.com/2012/07/18/i-knew-handwritten-wouldnt-fail-me/

CALEXICO – ALGIERS

Thanks to a friend who invited me to attend the show they offered in Barcelona one month ago I discovered a wonderful band which, wrongly following my name instincts, I had completely ignored. After 30 seconds of the opening song, I knew that, what I was about to discover was different and classy. Amazing album and excellent live performance.

https://sincemybabyleftme.com/2012/11/14/album-of-week-43-algiers-calexico-on-stage/

NEIL YOUNG & CRAZY HORSE – PSYCHEDELIC PILL

Americana was a bunch of revisited covers after all, it was compulsory uncle Neil and his pals ended jamming eventually, because this is what Psychedelic Pill is about, a reunion of good old friends grabbing their instruments and recovering the spirit of Harvest playing in the barn. Two words must be pronounced which will sum up the concept of the album: RAMADA INN. Greatness!

https://sincemybabyleftme.com/2012/10/17/uncle-neil-and-crazy-horse-are-ready-to-conquer-the-world/

VAN HALEN – A DIFFERENT KIND OF TRUTH

a different kind of truth

You just wouldn’t believe what just happened here. I’ve just changed my last album at the very last minute, finally choosing hard rock over power pop, and leaving Redd Kross out of the list.

This is a surprise, even to me, but this is how I feel at 22:52h. It took me ages to listen to this album, in fact I got it less than a month ago, no matter that many friends insisting I’d love it, I felt lazy thinking it wouldn’t be worth it. The insistence of Felix and my soul bro, together with Xavi aka the deal hunter, made me push the button and start moving my ass right away. If there’s a song which drives me crazy, reminding me of wild 1984, VH personal favorite, no doubt is Bullethead. The return of Van Halen with David Lee Roth is one of the greatest #dealmakers of the decade.

Once this list has been done, I have to mention those albums which are following very close and deserve my love, respect and credit. Here they are:

– Redd Kross – Researching the Sun

– Chris Robinson Brotherhood – Magic Door

– Pulled Apart By Horses – Tough Love

– The Avett Brothers – Carpenter

What a year friends! Rough and harsh in many aspects, thanks to the amazing releases I’ve been gifted with, I’ve managed to approach the end better than expected. At the end of the day, same thought comes to mind, and I sigh in relief glad to be aware that music, not only has saved my life, but also has given me the one I’m currently living, and I feel grateful and merry.

Keep on rockin’ dears!

ALBUM OF WEEK 48: A EULOGY FOR THE DAMNED

Eulogy for the Damned

I’m very pleased to talk about this album today. It’s kind of special to me for many reasons.

I’ve been following the achievements in the career of Orange Goblin, since I discovered them in London back in 1998. I was positive thinking eventually they’d become great and respected, and time has proved I was right.

Remember the first small talks I had with some of the members of the band, asking me to attend their first headlining shows, scared to death considering the possibility of playing in front of a non existing audience. Almost 14 years have passed since those times, when they used to open for all the classic stoner bands which were bringing out in those years becoming an established music style nowadays is followed and worshipped by large audiences.

Eulogy For The Damned means a turning point in the career and also in the lives of the members of this band. Ben, Joe, Martyn and Chris have finally made it. They’re quitting their Monday to Friday jobs to dedicate in body and soul to what they do best: (metal) rock.

Considering the harsh times we’re currently passing through, such decision is a hard and risky one, but again, with Eulogy For The Damned as their best card to start playing the pro game, again I reckon everything will be alright for them and they’ll succeed in this substantial change, positioning Orange Goblin on top of doom-stoner-metal-rock (your choice how to label them) list of bands.

orange goblin 2012

7 albums and 15 years have marked the evolution of the band. From the more standard stoner sounds and the obvious influence of 70’s metal Black Sabbath and psychedelic  Monster Magnet registered in Frequencies From Planet Ten, to the severity and strength of Eulogy, there’s been a long path, but seems that the band has finally achieved their own sound and personality, and damn! It’s overwhelming!

The album is very dynamic, with songs differing in rhythm and moving through different styles. Probably one of the reasons I like Eulogy the most, it’s because even though they keep in the same line of doom-stoner, the truth is that they’re allowing their classic 70’s metal  and hard rock influences to become more prominent in their sound. Guitar riffs  and bass lines in Return to Mars and Bishop’s Wolf are pure vintage.

Red Tide Rising is pure dynamite as the starter of the album, and this fuse last for the 4 first songs, up to one  the coolest songs in the album I regularly play at my dj’n nights, The Filthy and the Few, to slow down with the groovie Save Me From Myself.

But it’s the album titled song which drives me crazy, A Eulogy For The Damned. It’s fuckin’ epic! Remembering Black Sabbath’s classic albums, here too, the song which makes the difference fits perfect for closing the album so that the listener will always want more.

In terms of production, this album involves the best sound quality by far. It’s powerful, definitely an upper, and everything sounds balanced and clean:  Joe’s guitars are killing, Ben’s vocals sound finally as strong and heavy as they deserve, showing also an evolution in phrasing and more interesting melodies patterns. But this time drums catch most of my attention. I’ve always been a great fan of Chris‘ style, in fact he’s been one of my favorite drummers for many years. Final result of the production of Eulogy allows me to identify the different parts of drums, the recording of layers, the cymbals, the double drum pedal parts…his stomping is brilliant, rhythmic and accurate.

Ass kissing is not my style, and even though my point of view might seem a bit subjective, having in mind these guys mean lots to me, at the end of the day, the actual starting point of everything was their music, which caught my attention right away and has been constant through all these years. A Eulogy for the Damned is a thrilling album for any rock-metal-hard rock lover, intense, livid and passionate. Since the very first hearing I thought this one was the one, and the more I listen to it the more convinced I am. It deserves all the credit possible and I feel proud of the Goblins for having delivered such a great album.

Congratulations guys!